When I was One, I had just begun. When I was Two, I was nearly new. When I was Three I was hardly me. When I was Four, I was not much more. When I was Five, I was just alive. But now I am Six, I’m as clever as clever, So I think I’ll be Six now
for ever and ever.
-A.A. Milne
Happy Birthday John Patrick (Jack). Here is a poem for you on your special day.
Convex traffic mirror. At the zoo. Not a monkey. Self- portrait.
Maybe I got the title after viewing the scary preview of the movie which is coming out June first. No dwarfs to be seen. Definitely not for children.
And then I researched convex mirrorand find the Pulitzer Prize winning book Self-Portrait in a Convex Mirrorand the lengthy title poem of the same name by John Ashberry.
Wikipedia says “Round convex mirrors called Oeil de Sorcière (French for “sorcerer’s eye”) were a popular luxury item from the 15th century onwards, shown in many depictions of interiors from that time.[1] With 15th century technology, it was easier to make a regular curved mirror (from blown glass) than a perfectly flat one.”
And of course they mention the Arnolfini Portrait by Jan van Eyck which everyone is familiar with but may not know the painting’s title. See the convex mirror in the details if you click on the Arnolfini Portrait linkand scroll to the section Mirror.
Okay, just trying to make a photograph of me a bit interesting to others. Convex mirrors seem interesting to me.
Soak the broken crayons in warm water and the papers peel right off!
About 5 years ago, my friend Lara E. framed the poem in the newspaper, adding the crayon paper peelings around it. Last night at my final video class I scanned it and uploaded it to the blog while I waited for the screening to start. This years crop yielded lots of crayons. The most whole crayons at the end of the year are violet ones.
Tim's Poem Came to Mind as I Admired the Concrete First Time in Two Weeks
*NOTE to poet(s) not knowing HTML code I am restricted by the format of this blog template and or the limits of Text/Edit from word.doc to Mac? and the poem will not publish in the original format. It is a five stanza poem and the breaks occur after -out. -Way. -human. – eternal. Hence the hyphens for space and breath.
Timons Esaias is a writer and poet living in Pittsburgh. His short stories, ranging from literary to genre, have been published in fourteen languages. He has had over a hundred poems in print, including Spanish, Swedish and Chinese translations, in such markets as 5AM, Bathtub Gin, Main Street Rag, Willard & Maple, Elysian Fields Quarterly: The Literary Journal of Baseball and many others. He has also been a finalist for the British Science Fiction Award, and won the Asimov’s Readers Award. His poetry chapbook, The Influence of Pigeons on Architecture, sold out two editions. He is Adjunct Faculty at Seton Hill University, in the Writing Popular Fiction M.F.A. Program. This poem was originally published in hotmetalpoets.com when it existed.