We were on our way to a First Communion Party a week ago and my Daughter- in-Law was driving. When we saw the two branches of road in front of us, The Road Not Taken, the poem by Robert Frost, came to mind. Yes, these woods are a new Spring green, not a yellow wood, but poetic/blogging license?
Go to the article and read about a 2008 New Zealand Ford Co Car Commercial which uses the poem without even giving credit to Robert Frost! If you want to consider the variances in interpretation of Frost’s poem you will find the article enlightening.
“Given the pervasiveness of Frost’s lines, it should come as no surprise that the popularity of “The Road Not Taken” appears to exceed that of every other major twentieth-century American poem, including those often considered more central to the modern (and modernist) era.”
Author Orr
listed the
GOOGLE stats of searches to prove it! Who knew this particular was so popular?
Parts of verses still stick in my mind and when I saw this scene in the woods, they came right up. When I was in grade school, we had to memorize a poem a week and recite it from memory.
The Road Not Taken
by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
(By the way, we took the right of the fork)
*from the
articleDavid Orr is the poetry columnist for the New York Times Book Review. He is the winner of the Nona Balakian Prize from the National Book Critics Circle, and his writing has appeared in The New Yorker, Poetry, Slate, and The Yale Review.
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